Portrait of a Pigeon Racer
2022

Pigeon racing is derived from on a simple and remarkable fact: when taken from their home, homing pigeons will return to it. To race pigeons, you calculate each bird’s speed by dividing the distance from the liberation point to its home loft by its flight time. The winner is the one who flew the fastest.
Pigeon racing and its related culture are often associated with a bygone era, but these photographs are not about the past. Pigeons are only part of the story, maybe even a means to an end. What I discovered, and what this series is really about, is the importance of place as a base from which to nurture aspiration.







All things pigeon eventually lead back to Belgium, where the sport became enormously popular during the 19th century. To this day, many birds’ lineages can be traced back to a Belgian breeder. It was also in Belgium where I first met a pigeon enthusiast who gave me a short tour of his loft.
Still curious on my return to the UK, I remembered once seeing a loft during a walk in Lancashire. With some trepidation, but armed with a handful of pigeon-specific terms gleaned in Belgium, I made a ‘cold call’ there one day. The door was answered by a burly but kind man who was to become my host for many weeks.






My host turned out to be a successful second-generation pigeon racer who has won national championships. He is a member of two local pigeon clubs and, every summer weekend, he usually enters birds into both clubs’ races. Like my Belgian acquaintance, his loft is meticulously tended and carries deep significance. As the final destination for every journey his pigeons make, it is the centre of his world. All their flight paths point back to it, like the spokes of a wheel come together at the hub.
The loft is also where pigeons are bred, fed, cared for, and trained. During racing season, it is where the birds are basketed before they are transported to a faraway liberation point. One or two days later, it is where the pigeon racer waits in anxious anticipation for their return. It is a place of elation at a possible winning time and of disappointment on a slow return, or worse still, no return.






Homing pigeons captured my imagination because it all seems so unlikely. It seems improbable that, with the freedom of flight, the birds fly straight back home, even when released hundreds of kilometres away. It also seems implausible that, with all the hazards along the way, they actually make it. I maintain that this must be at the core of why the birds so enthral their owners.
Most of all, pigeon racing is a metaphor. The pigeons’ return reaffirms being bound to a place and reasserts the certainty of the idea of home. The ambition and hope that the birds’ return embody for the racer, precisely because it seems so unlikely, is really no different from the aspirations that we all chase. In this sense, Portrait of a Pigeon Racer could be a characterisation of any one of us.

Acknowledgements
My sincere thanks go to G.T., who welcomed a stranger at his door and who hosted me for many weeks, and to L.V., who introduced me to it all.